Madonna at the Fountain - Jan van Eyck Poster.
Madonna at the Fountain - Jan van Eyck Poster. - A5(148×210) / none is backordered and will ship as soon as it is back in stock.
【出荷予定について】
※土日祝定休
製品説明
製品説明
Artgraph. Original masterpiece art posters & art frames
Printed on high-quality paper manufactured by Epson, the same quality used in art works.
This paper was developed specifically for artwork, and is resistant to deterioration and fading, making it a category of giclee prints that are the highest quality among interior posters.
The texture, similar to that of art paper, gives the print a three-dimensional feel, making it a reproduction that looks just like the real thing.
- Paper weight: 190 g/m²
- Giclee print (inkjet print)
- The width of the margins is adjusted depending on the work and size.
*If you order a size that will result in printing being too rough due to the size of the original data, we will contact you.
*If you require a size larger than the sizes listed, please contact us directly.
| Work name | Madonna at the Fountain ) |
| Author name | Jan van Eyck |
| Production date | 1439 |
| Related Keywords | Jan van Eyck, a pioneer of oil painting techniques, known for his detailed depictions of religious paintings, portraits, and other works of art. These works are perfect for interior decorating, living rooms, dining rooms, bedrooms, kitchens, bathrooms, and entryways. They are also suitable for personal use, as display reproductions in model rooms, offices, shops, hotels, cafes, and other spaces. They also make great gifts for housewarmings, birthdays, and other celebrations. |
| Related Keywords | |
| Management number | 1-63 |
※製品画像はできる限り実物の色に近づけるよう徹底しておりますが、 お使いのモニター設定、お部屋の照明等により実際の製品と色味が異なる場合がございます。
素材ごとに異なるニュアンスが生まれることもございますが、風合いとしてお楽しみいただければ幸いです。
余白と寸法
余白と寸法
縦横比によって、寸法が成り行きで縮小します。
詳細の寸法はお手数ですが、お問合せください。
| size | Minimum margin on the short side | Minimum margin on the long side |
|---|---|---|
| A5 | 14.5mm | 25.5mm |
| A4 | 20mm | 35mm |
| A3 | 28.5mm | 49.5mm |
| A2 | 40mm | 70mm |
| A1 | 50mm | 90mm |
| B5 | 17.5mm | 30.5mm |
| B4 | 24.5mm | 43.5mm |
| B3 | 35mm | 61mm |
| B2 | 45mm | 80mm |
| B1 | 64mm | 114mm |
*The above figures are the minimum margin widths.
Depending on the proportions of the work, such as long and narrow works, there may be more margins than those listed above.
If you would like to know the exact size in advance, please contact us here .
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お届けについて
出荷までの期間はポスターのみは3営業日、額装込み・キャンバス製品は10営業日程度いただいております。
それ以外の製品は10〜14営業日程度いただいております。
営業日:月〜金曜
定休日 : 土・日曜日・祝日
※サイズ・色・点数によってお届けに通常より長くお時間をいただく場合がございます。お急ぎの場合や複数点数のご購入をご検討の場合は事前にお問い合わせください。
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Jan van Eyck
Jan van Eyck was a painter active in Flanders in the first half of the 15th century, and is a representative painter of the Northern Renaissance. Considered one of the " founders of oil painting ," his meticulous realism and brilliant colors astonished his contemporaries and contributed greatly to the development of Western painting. His outstanding skills were particularly evident in his altarpieces and portraits, in which he pursued the depiction of humans and nature as they really were, yet ideally.
Jan van Eyck Biography
- Born around 1390 in Maaseijk in what is now eastern Belgium (there are various theories about the year of his birth)
- From about 1422 he served as court painter to John III, Count of Hainaut and Count of Holland.
- In 1425, he became the court painter and bailiff of Philip the Good, Duke of Burgundy, and also served as a diplomatic envoy.
- 1432: Completed the Ghent Altarpiece (collaboration with his brother Hubert)
- 1434: Created the "Portrait of the Arnolfini Couple"
- Died in Bruges before July 9, 1441 (aged around 50)
Representative works
- Ghent Altarpiece (1432)
- Arnolfini Portrait (1434)
- Madonna of Chancellor Rolin (c. 1435)
- "The Descent from the Cross" (c. 1435-1440) (different from the one in the Thyssen-Bornemisza Museum)
- The Annunciation (c. 1434-1436)
The Art of Jan van Eyck
The greatest feature of Jan van Eyck's art is its astonishingly detailed realistic expression . He improved the oil painting technique, achieving colors with unprecedented transparency and brilliance. This new oil painting technique made it possible to paint every detail in minute detail and pursue the expression of texture and light to the utmost. In addition to faithfully reproducing reality, he also imbued his works with symbolic meaning, giving them a deep spirituality. In his altarpieces, he portrayed religious themes as realistic as earthly events, and in his portraits, he tried to depict not only the model's appearance but also their inner self. This is why he is called the " founder of oil painting ."
Jan van Eyck's influence and later recognition
Jan van Eyck's precise realism and innovation in oil painting techniques had a major impact on Western painting as a whole. His works astonished his contemporaries and became the driving force behind the Golden Age of Flemish painting. His influence extended to the Italian Renaissance, where many artists learned Jan van Eyck's techniques. Today, Jan van Eyck is highly regarded around the world as a master of the Northern Renaissance . Keywords such as " founder of oil painting ," " precise realism ," " Flemish painting ," " Early Netherlandish ," and " Ghent Altarpiece " are important elements in understanding Jan van Eyck's art. His works continue to fascinate many people as an important legacy in the history of Western art.
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