Matsusuke Onoe I as Matsushita Mikinoshinn - Toshusai Sharaku Poster.
Matsusuke Onoe I as Matsushita Mikinoshinn - Toshusai Sharaku Poster. - A5(148×210) / none is backordered and will ship as soon as it is back in stock.
【出荷予定について】
※土日祝定休
製品説明
製品説明
Artgraph. Original masterpiece art posters & art frames
Printed on high-quality paper manufactured by Epson, the same quality used in art works.
This paper was developed specifically for artwork, and is resistant to deterioration and fading, making it a category of giclee prints that are the highest quality among interior posters.
The texture, similar to that of art paper, gives the print a three-dimensional feel, making it a reproduction that looks just like the real thing.
- Paper weight: 190 g/m²
- Giclee print (inkjet print)
- The width of the margins is adjusted depending on the work and size.
*If you order a size that will result in printing being too rough due to the size of the original data, we will contact you.
*If you require a size larger than the sizes listed, please contact us directly.
| Work name | Matsusuke Onoe I as Matsushita Mikinoshinn (Second generation Ichikawa Korai Brewery's Matsushita Mikinoshinn) ) |
| Author name | Toshusai Sharaku |
| Production date | 1794 |
| Related Keywords | This reproduction of a work by Toshusai Sharaku, featuring a Japanese ukiyo-e print from the Edo period (18th century), is perfect for display in a living room, dining room, bedroom, kitchen, bathroom, or entryway. It's also a great gift for housewarmings, birthdays, or any other special occasion. It's also a great piece for display in a model room, office, shop, hotel, cafe, or other space. |
| Related Keywords | |
| Management number | 1-71 |
※製品画像はできる限り実物の色に近づけるよう徹底しておりますが、 お使いのモニター設定、お部屋の照明等により実際の製品と色味が異なる場合がございます。
素材ごとに異なるニュアンスが生まれることもございますが、風合いとしてお楽しみいただければ幸いです。
余白と寸法
余白と寸法
縦横比によって、寸法が成り行きで縮小します。
詳細の寸法はお手数ですが、お問合せください。
| size | Minimum margin on the short side | Minimum margin on the long side |
|---|---|---|
| A5 | 14.5mm | 25.5mm |
| A4 | 20mm | 35mm |
| A3 | 28.5mm | 49.5mm |
| A2 | 40mm | 70mm |
| A1 | 50mm | 90mm |
| B5 | 17.5mm | 30.5mm |
| B4 | 24.5mm | 43.5mm |
| B3 | 35mm | 61mm |
| B2 | 45mm | 80mm |
| B1 | 64mm | 114mm |
*The above figures are the minimum margin widths.
Depending on the proportions of the work, such as long and narrow works, there may be more margins than those listed above.
If you would like to know the exact size in advance, please contact us here .
お届けについて
お届けについて
出荷までの期間はポスターのみは3営業日、額装込み・キャンバス製品は10営業日程度いただいております。
それ以外の製品は10〜14営業日程度いただいております。
営業日:月〜金曜
定休日 : 土・日曜日・祝日
※サイズ・色・点数によってお届けに通常より長くお時間をいただく場合がございます。お急ぎの場合や複数点数のご購入をご検討の場合は事前にお問い合わせください。
返金・交換について
返金・交換について
返金・交換に関して
到着した製品に不具合がございましたら到着より7日以内に速やかにご連絡ください。
■返品・交換などの連絡先
info@artgraph.jp
返金
商品に不具合が有った場合は上記「返金・交換」をご覧下さい。
キャンセル
生産開始前であればキャンセル・返金可能ですが、生産が終了している場合は全額ご請求とさせていただきます
詳しくはこちら
安心してご注文いただけます。
Payment methods
artgraph.では運営側でクレジットカード情報を保存せず、お客様のクレジットカード情報にアクセスすることはできませんので安心してご利用ください。

Toshusai Sharaku
Sharaku Toshusai
Toshusai Sharaku is a mysterious ukiyo-e artist who suddenly appeared during the Kansei era in the mid-Edo period, producing numerous masterpieces in just 10 months before disappearing. His actor paintings, full of strong individuality and exaggerated depictions that even exaggerate the inner lives of the actors, have an unparalleled presence in the history of Japanese art.
Toshusai Sharaku Biography
-
Identity Unknown : His true identity has remained a mystery for a long time, with the most likely theory being that he is Saito Jurobei, a Noh actor employed by the Awa Tokushima Domain. However, various other candidates have been put forward, including Dutch scholar Tani Buncho and ukiyo-e artist Katsushika Hokusai, and the identity has yet to be confirmed.
-
May 1794 (6th year of the Kansei era) : Under the direction of publisher Tsutaya Juzaburo, he made a sensational debut in the world of ukiyo-e with the release of 28 o-kubi-e (portraits depicting the actors from the chest up) of kabuki actors active in Edo theaters.
-
July-August of the same year : Published paintings of actors and sumo wrestlers, mainly full-body portraits.
-
From November of the same year onwards : The style became slightly more tolerant, the actors' faces became less deformed, and they became closer to typical actor drawings.
-
January 1795 (Kansei 7) : After this period, he stopped publishing works altogether and suddenly disappeared.
(*Due to the extremely short period of his activity, approximately 10 months, his birth and death years and detailed career history are unknown.)
Representative works
-
"Otani Oniji III's Edobei"
-
"Ichikawa Ebizo's Takemura Sadanoshin"
-
"Genzo Ishii, the second generation Bando Mitsugoro"
-
"The Fourth Generation Iwai Hanshiro's Wet Nurse Shigenoi"
-
"Arashi Ryuzo's Moneylender Ishibe Kanekichi"
The greatest feature of Sharaku's work is that it sets him apart from the actor paintings of the time, which generally portrayed actors in a beautified manner, and boldly exaggerates facial features such as wrinkles, aquiline noses, and underbites, sometimes even depicting ugliness openly. This deformation goes beyond simply copying the actor's appearance, and succeeds in sharply revealing the character of the role the actor was playing and even the actor's inner self.
The compositions, which boldly omit the background and focus on the expressions and poses of the figures, are extremely modern and make a strong impact on the viewer. His radically innovative style was not necessarily well received by the common people of Edo at the time, but it was later re-evaluated and is said to have influenced painters such as Vincent van Gogh and Henri de Toulouse-Lautrec, particularly in Europe. The mystery surrounding his true identity and the dramatic period of his career, which appeared and disappeared like a comet, continue to fascinate many people to this day.
Recommend
SNSでご紹介いただきました

本日のご注文受付終了まで
時間が過ぎると翌営業日のご注文扱いとなりますのでご了承くださいませ。











