Virgin and Child - Piero della Francesca Poster.
Virgin and Child - Piero della Francesca Poster. - A5(148×210) / none is backordered and will ship as soon as it is back in stock.
【出荷予定について】
※土日祝定休
製品説明
製品説明
Artgraph. Original masterpiece art posters & art frames
Printed on high-quality paper manufactured by Epson, the same quality used in art works.
This paper was developed specifically for artwork, and is resistant to deterioration and fading, making it a category of giclee prints that are the highest quality among interior posters.
The texture, similar to that of art paper, gives the print a three-dimensional feel, making it a reproduction that looks just like the real thing.
- Paper weight: 190 g/m²
- Giclee print (inkjet print)
- The width of the margins is adjusted depending on the work and size.
*If you order a size that will result in printing being too rough due to the size of the original data, we will contact you.
*If you require a size larger than the sizes listed, please contact us directly.
| Work name | Virgin and Child ) |
| Author name | Piero della Francesca |
| Production date | |
| Related keywords | Piero della Francesca, Italian, Early Renaissance, 15th century, perspective, religious painting, fresco, tranquility, art poster, art panel, interior, stylish painting, painting, masterpiece, landscape painting, miscellaneous goods, vintage, retro, entryway, living room, dining room, bedroom, kitchen, bathroom, entrance, etc. For your own use, or as a display reproduction for model rooms, offices, shops, hotels, cafes, etc. Also great as a gift for housewarmings, birthdays, etc. |
| Related Keywords | |
| Management number | 1-87 |
※製品画像はできる限り実物の色に近づけるよう徹底しておりますが、 お使いのモニター設定、お部屋の照明等により実際の製品と色味が異なる場合がございます。
素材ごとに異なるニュアンスが生まれることもございますが、風合いとしてお楽しみいただければ幸いです。
余白と寸法
余白と寸法
縦横比によって、寸法が成り行きで縮小します。
詳細の寸法はお手数ですが、お問合せください。
| size | Minimum margin on the short side | Minimum margin on the long side |
|---|---|---|
| A5 | 14.5mm | 25.5mm |
| A4 | 20mm | 35mm |
| A3 | 28.5mm | 49.5mm |
| A2 | 40mm | 70mm |
| A1 | 50mm | 90mm |
| B5 | 17.5mm | 30.5mm |
| B4 | 24.5mm | 43.5mm |
| B3 | 35mm | 61mm |
| B2 | 45mm | 80mm |
| B1 | 64mm | 114mm |
*The above figures are the minimum margin widths.
Depending on the proportions of the work, such as long and narrow works, there may be more margins than those listed above.
If you would like to know the exact size in advance, please contact us here .
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お届けについて
出荷までの期間はポスターのみは3営業日、額装込み・キャンバス製品は10営業日程度いただいております。
それ以外の製品は10〜14営業日程度いただいております。
営業日:月〜金曜
定休日 : 土・日曜日・祝日
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Piero della Francesca
Piero della Francesca
Piero della Francesca was a painter and mathematician who was a representative figure of the early Italian Renaissance of the 15th century. He is known for his highly intellectual style, imbued with geometric order and a tranquil atmosphere, and his works exude a tranquil yet majestic monumentality.
Piero della Francesca Biography
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He was born around 1415 in Borgo Sansepolcro (now Sansepolcro) in Tuscany.
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There is a record that he worked as an assistant to the painter Domenico Veneziano in Florence in 1439 , where he came into contact with the advanced art of Masaccio and Fra Angelico.
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In 1445 he was elected canon of his hometown Sansepolcro, and was contracted to paint a polyptych of the Virgin of Mercy for the city.
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Between 1452 and 1466 he created the fresco series "Legend of the Holy Cross," considered his greatest masterpiece, in the Basilica of San Francesco in Arezzo.
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From the late 1460s to the 1470s, he frequented the court of Federico da Montefeltro, Duke of Urbino, and produced works such as the Portrait of the Duke and Duchess of Urbino and the Brera Altarpiece.
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In his later years , he gradually distanced himself from painting and devoted himself to writing theoretical books on mathematics and perspective, such as "Discourse on Arithmetic" and "Discourse on Perspective."
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He died on October 12, 1492 in his hometown of Sansepolcro.
Representative works
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The Baptism of Christ (c. 1450)
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Fresco series "Legend of the Holy Cross" (c. 1452-66)
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The Flagellation of Christ (c. 1460)
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The Resurrection of Christ (c. 1463-65)
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Portrait of the Duke and Duchess of Urbino (Federico da Montefeltro and Battista Sforza) (c. 1472-74)
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Brera Altarpiece (Saint Conversation) (c. 1472)
Piero della Francesca's art is deeply rooted in his background as a mathematician. His paintings are rigorously calculated based on linear perspective and geometry, constructing spaces of perfect harmony and balance. His figures are restrained from expressing emotion, exuding a three-dimensional, static presence (monumentality) like a sculpture.
His colors are bright and clear, and he creates a unique style that makes it seem as if the entire canvas is filled with a uniform light. This gives the world he painted a sense of stillness, as if time has stopped, and a universal, sublime atmosphere. This intellectual and orderly style of painting set him apart from the mainstream in Florence at the time, but was later rediscovered and highly praised by modern painters such as Paul Cézanne. His works are considered to be the pinnacle of the early Renaissance, embodying the fusion of art and science.
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