Fir Trees in the Snow - Caspar David Friedrich Memo.
Fir Trees in the Snow - Caspar David Friedrich Memo. - B6(128×182) is backordered and will ship as soon as it is back in stock.
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製品説明
製品説明
artgraph. Original masterpiece memo pad
Three features that make it a popular choice
1. Choose the size that best suits your needs
Available in B6 size, it is compact, easy to carry, and perfect for use as a memo pad.
2. Thick, smooth, high-quality paper
It uses high-quality paper that is stronger and thicker than regular notebooks. If you often write and refer back to it, like in an idea book, the bumps on the previous page won't stand out, making it easy to write on the next page.
3. A perfect gift for art-loving loved ones
The notebook section has no lines, so it's also recommended as a gift for art lovers who want to draw a little or carry a sketchbook with them!
It is printed on both sides so it can be opened either left or right.
*Due to misalignment of the printing area or changes to the trimming position, there may be missing parts in the print of the work.
- B6: 120 pages (60 sheets) / Silver ring color
| Work name | Fir Trees in the Snow ) |
| Author name | Caspar David Friedrich |
| Production date | 1828 |
| Related Keywords | Caspar David Friedrich, German Romanticism, 19th century landscape painter, religious, symbolism, sublime art. These notebooks, ring notebooks, memo pads, and ring memo pads are perfect for interior decor, stylish paintings, masterpieces, landscapes, and more. These vintage and retro works are perfect for display in the entryway, living room, dining room, bedroom, kitchen, bathroom, or as a display reproduction in a model room, office, shop, hotel, cafe, or other space. They also make great birthday or other celebration gifts. |
| Related Keywords | |
| Management number | 1-98 |
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Caspar David Friedrich
Caspar David Friedrich
Caspar David Friedrich is a representative painter of 19th-century German Romanticism. He is known for his works that project human spirituality, religious sentiment, and feelings of loneliness into majestic and mystical natural landscapes, and he elevated landscape painting to new heights.
Caspar David Friedrich Biography
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He was born on September 5, 1774 in Greifswald, a port town on the Baltic Sea coast that was then part of Sweden.
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In 1794 he entered the Royal Academy of Fine Arts in Copenhagen, where he studied for four years.
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In 1798 he moved to Dresden, which was one of the centers of German art at the time, and remained there for the rest of his life.
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In 1808, he produced The Cross in the Mountains (Tetchen Altarpiece), which sparked a fierce debate over tradition (the Lampach controversy) by depicting a landscape as an altarpiece.
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In 1810, his fame grew when the Crown Prince of Prussia (later Frederick William IV) purchased his work, and he became a member of the Berlin Academy.
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He married Caroline Bommer in 1818. During this time he produced his masterpieces, including "The Wanderer Above the Sea of Clouds."
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After around 1825, with the rise of late Romanticism and his style no longer matching the tastes of the time, he was gradually forgotten by the public.
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In 1835 he suffered a stroke, which made it difficult for him to continue his creative activities.
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He died in poverty and obscurity in Dresden on May 7, 1840 (aged 65).
Representative works
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The Cross in the Mountains (Tetchen Altarpiece) (1808)
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Abbey in an Oak Forest (1809-10)
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Monk on the Seashore (1809-10)
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"Wanderer Above the Sea of Clouds" (c. 1818)
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The Sea of Ice (1823-24)
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The Stages of Life (c. 1835)
The core of Friedrich's art is his view of nature itself as a place of divine revelation, and his depiction of the inner world of humans through magnificent landscapes. The figures seen from behind (Rückenfigur), which frequently appear in his works, invite the viewer into the pictorial space and have the effect of reliving the landscape that the figures are gazing at.
Motifs such as fog, sunsets, the moon, ruins, and decaying trees symbolize Romantic themes such as death, infinity, longing, and transience. His strict, nearly symmetrical compositions and the expression of tranquil, clear light give his paintings a religiously solemn and deeply spiritual quality. Although highly acclaimed during his lifetime, he was long forgotten after his death. However, he was rediscovered by Surrealist and Symbolist painters in the early 20th century, and today he is considered one of the most important painters in the history of German art.
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