アーティスト： Jean Auguste Dominique Ingres(ジャンオーギュストドミニクアングル)

Sheet of Studies with the Head of the Fornarina and Hands of Madame de Senonnes - Jean-Auguste-Dominique Ingres Poster.

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Product Description

Artgraph. Original masterpiece art posters & art frames

Printed on high-quality paper manufactured by Epson, the same quality used in art works.
This paper was developed specifically for artwork, and is resistant to deterioration and fading, making it a category of giclee prints that are the highest quality among interior posters.
The texture, similar to that of art paper, gives the print a three-dimensional feel, making it a reproduction that looks just like the real thing.

Paper weight: 190 g/m²
Giclee print (inkjet print)
The width of the margins is adjusted depending on the work and size.

*If you order a size that will result in printing being too rough due to the size of the original data, we will contact you.
*If you require a size larger than the sizes listed, please contact us directly.

Work name	Sheet of Studies with the Head of the Fornarina and Hands of Madame de Senonnes (A drawing with a study of the head of Fornarina and the hands of Madame de Sénonne) )
Author name	Jean Auguste Dominique Ingres
Production date
Related Keywords	This paper, cartoon, hand, figure, art, painting, drawing, craft, baby, research, history, creativity, Jean-Auguste-Dominique Ingres, by the French Neoclassical movement of the 19th century, is a classic vintage art poster, art panel, interior design, stylish painting, masterpiece, landscape painting, miscellaneous goods, vintage, retro, suitable for the entrance, living room, dining room, bedroom, kitchen, bathroom, or entryway. It can also be used as a display reproduction for model rooms, offices, shops, hotels, cafes, etc. It also makes a great gift for housewarmings, birthdays, and other celebrations.
Related Keywords	paper, cartoon, hand, person, art, painting, drawing, craft, baby, studies, history, creativity
Management number	1-12

*We have made every effort to ensure that the product images are as close to the actual colors as possible, but the colors may differ from the actual product depending on your monitor settings, room lighting, etc.

Each material may have different nuances, but we hope you enjoy the texture.

Margins and dimensions

The dimensions will shrink accordingly depending on the aspect ratio.
Please contact us for detailed dimensions.

size	Minimum margin on the short side	Minimum margin on the long side
A5	14.5mm	25.5mm
A4	20mm	35mm
A3	28.5mm	49.5mm
A2	40mm	70mm
A1	50mm	90mm
B5	17.5mm	30.5mm
B4	24.5mm	43.5mm
B3	35mm	61mm
B2	45mm	80mm
B1	64mm	114mm

*The above figures are the minimum margin widths.
Depending on the proportions of the work, such as long and narrow works, there may be more margins than those listed above.
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Jean Auguste Dominique Ingres

Jean-Auguste-Dominique Ingres is a representative painter of 19th century French neoclassicism. Known as a painter of the line, his works are characterized by flawless drawings and smooth brushstrokes that thoroughly pursue the accuracy of form. He was active in a wide range of fields, including historical paintings, portraits, and mythological paintings, but his works, particularly those depicting female nudes such as "Grande Odalisque" and "Turkish Bath," continue to fascinate many people today with their sensual beauty.

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Jean-Auguste-Dominique Ingres Biography

Born August 29, 1780 in Montauban, southwestern France.
From the age of 11, he studied painting at the Toulouse Art School.
In 1797, he went to Paris and studied under the master of neoclassicism, Jacques-Louis David.
In 1801, he won the Prix de Rome and studied in Rome.
From 1806 to 1820, he worked in Rome, studying Raphael and ancient art.
In 1824, he returned to Paris and exhibited his painting The Vow of Louis XIII at the Salon, which brought him instant fame.
1825: Awarded the Légion d'honneur
From 1835 to 1841, he again resided in Rome, where he served as director of the French Academy in Rome.
Died in Paris on January 14, 1867 (aged 86)

Representative works

The Grande Odalisque (1814)
The Valpinçon Bather (1808)
The Vow of Louis XIII (1824)
The Turkish Bath (1862)
Portrait of Monsieur Bertin (1832)

The Art of Jean-Auguste-Dominique Ingres

Ingres' art is characterized by his thorough and perfect drawings , smooth brushwork , and coldly refined colors . He was particular about accurately depicting his subjects and disliked distortion and exaggeration of forms. At the same time, he pursued ideal beauty and reconstructed real objects based on his own aesthetic sense. The unnatural length of the female body in "La Grande Odalisque" is a typical example. Ingres considered himself a history painter, but today it is considered that his true value was demonstrated in portraits and nudes . In particular, his works depicting female nudes had a great influence on artists of later generations with their sensual beauty.

The influence of Jean-Auguste-Dominique Ingres and his later reputation

Ingres's strict neoclassical style had a great influence on the French art world at the time. His perfect drawing skills were also used as a model for later generations of painters. On the other hand, his style gradually came to be seen as outdated due to the rise of romanticism and realism. However, in the 20th century, his original form expression was reevaluated, and it has been pointed out that he influenced masters of modern art such as Picasso and Matisse in particular. Today, Ingres is highly regarded as one of the most representative painters of 19th century France. Keywords such as " neoclassicism ," " perfect drawing ," " Grande Odalisque ," and " confrontation of line and color " are important elements in understanding Ingres' art. His works are housed in museums around the world and continue to fascinate many people.