The Countess's Morning Levee - William Hogarth Memo.
The Countess's Morning Levee - William Hogarth Memo. - B6(128×182) is backordered and will ship as soon as it is back in stock.
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製品説明
製品説明
artgraph. Original masterpiece memo pad
Three features that make it a popular choice
1. Choose the size that best suits your needs
Available in B6 size, it is compact, easy to carry, and perfect for use as a memo pad.
2. Thick, smooth, high-quality paper
It uses high-quality paper that is stronger and thicker than regular notebooks. If you often write and refer back to it, like in an idea book, the bumps on the previous page won't stand out, making it easy to write on the next page.
3. A perfect gift for art-loving loved ones
The notebook section has no lines, so it's also recommended as a gift for art lovers who want to draw a little or carry a sketchbook with them!
It is printed on both sides so it can be opened either left or right.
*Due to misalignment of the printing area or changes to the trimming position, there may be missing parts in the print of the work.
- B6: 120 pages (60 sheets) / Silver ring color
| Work name | The Countess's Morning Audience ) |
| Author name | William Hogarth |
| Production date | 1745 |
| Related keywords | William Hogarth, British Rococo, 18th century genre painter, printmaker, satire, social criticism, art notebook, ring notebook, memo pad, memo book, ring memo, interior design, stylish painting, painting, masterpiece, landscape painting, landscape, miscellaneous goods, vintage, retro, entryway, living room, dining room, bedroom, kitchen, bathroom, entrance, etc. For your own use, or as a display reproduction for model rooms, offices, shops, hotels, cafes, etc. Also great as a gift for birthdays and other celebrations. |
| Related Keywords | |
| Management number | 1-62 |
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素材ごとに異なるニュアンスが生まれることもございますが、風合いとしてお楽しみいただければ幸いです。
About delivery
About delivery
Please allow 3 business days for posters only, and 10-14 business days for framed posters.
All other products will take approximately 10 to 14 business days.
About returned goods exchange
About returned goods exchange
Regarding returns and exchanges
We only accept returns if the product is unused, and ask that you return it within 7 days at your own expense.
If there is a problem with the product you receive, please contact us immediately within 7 days of arrival.
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The Countess's Morning Levee - William Hogarth Memo.
The Countess's Morning Levee - William Hogarth Memo. - B6(128×182) is backordered and will ship as soon as it is back in stock.
You can order with confidence.
Payment methods
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William Hogarth
William Hogarth
William Hogarth was a leading 18th-century British painter and printmaker. He is known for his sharp insight into the society and customs of his time, and for creating narrative series of paintings and prints that convey moral lessons. He is also known as the "father of English painting," and made a significant contribution to the establishment of a uniquely British art form.
William Hogarth Biography
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November 10, 1697 : Born in London to a Latin teacher and writer.
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1710s : Apprenticed to a silversmith and learned engraving techniques.
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1720 : He became independent and opened his own workshop, beginning his career as a printmaker, producing book illustrations and satirical prints.
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1729 : He virtually eloped with Jane Thornhill, the daughter of his teacher, the court painter Sir James Thornhill.
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Around 1731 : He publishes his first story cycle, The Life of a Courtesan, which achieves great success in both painting and printmaking, establishing his reputation.
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1735 : Publishes The Prodigal Life. After suffering from piracy of his own prints, he also works hard to pass legislation (commonly known as the "Hogarth Act") to protect artists' copyrights.
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1743-45 : Created his masterpiece series, A Modern Marriage.
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1757 : Appointed Chief Court Painter by King George II, a position his father-in-law had also held.
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October 26, 1764 : Died in London (aged 66).
Representative works
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A Harlot's Progress ( c. 1731)
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A Rake's Progress ( c . 1735)
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Marriage A-la-Mode (1743-45)
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Industry and Idleness (1747)
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Hogarth's Servants (c. 1750-55)
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"Shrimp Girl" (c. 1740-45)
Hogarth called his works "Modern Moral Subjects." This was an original attempt to unfold a story in a series of scenes, like a theatrical play, depicting the moral corruption of the characters and their tragic endings. He vividly depicted, with humor and satire, the vanity, hypocrisy, poverty, and alcoholism of 18th-century British society.
His works are filled with props and symbols that hint at the plot and the personalities of the characters, down to the smallest detail, allowing viewers to enjoy deciphering every detail of the picture. Furthermore, by selling not only his paintings but also prints based on them in large quantities at low cost, he made his art accessible to a wide range of people. These innovative techniques and spirit of social criticism had a tremendous influence on the later genre of satirical art, and marked a major step in British art breaking away from imitation of the continent.
Recommend
The Pit - William Hogarth Memo.
The Lottery - William Hogarth Memo.
Satire on False Perspective - William Hogarth Memo.
Tyburn Large - William Hogarth Memo.
Times of the Day: Morning - William Hogarth Memo.
Times of the Day: Evening - William Hogarth Memo.
Time smoking a picture - William Hogarth Memo.
The Times' - William Hogarth Memo.
The Shrimp Girl - William Hogarth Memo.
The Roast Beef of Old England - William Hogarth Memo.
The Laughing Audience (or A Pleased Audience) - William Hogarth Memo.
The Gaols Committee of the House of Commons - William Hogarth Memo.
The Five Orders of Perriwigs - William Hogarth Memo.
The Company of Undertakers - William Hogarth Memo.
The Chorus - William Hogarth Memo.
The Bathos - William Hogarth Memo.
Taste in High Life - William Hogarth Memo.
Surrounded by Artists and Professors - William Hogarth Memo.
Stand of arms and instruments - William Hogarth Memo.
Simon Fraser, 11th Baron Lovat - William Hogarth Memo.
Self portrait (from the Gate of Calais) - William Hogarth Memo.
Scholars at a Lecture - William Hogarth Memo.
Royalty, Episcopacy and Law - William Hogarth Memo.
Portrait of Lord George Graham in his saloon - William Hogarth Memo.
Portrait of en'Francis Dashwood, 15th Baron of Despencer - William Hogarth Memo.
Portrait of a Young Woman - William Hogarth Memo.
Industrious 'Prentice Performing Duties of Christian - William Hogarth Memo.
Married to an Old Maid - William Hogarth Memo.
Lame theater - William Hogarth Memo.
John Henley with five unknown figures - William Hogarth Memo.
Inigo Jones - William Hogarth Memo.
Hudibras' First Adventure, from 'Hudibras' by Samuel Butler - William Hogarth Memo.
Hudibras - William Hogarth Memo.
Frontispiece and its explanation (Hurdibras) - William Hogarth Memo.
English librettist Thomas Morell - William Hogarth Memo.
Credulity, Superstition, and Fanaticism - William Hogarth Memo.
Central panel of the altar triptych, St Nicholas, Bristol - William Hogarth Memo.
Caliban from "The Tempest" of William Shakespeare - William Hogarth Memo.
Blowing off about his new Copyright Act - William Hogarth Memo.
Benefit ticket (Mr Milward)' A Bold Stroke for a Wife - William Hogarth Memo.
Before - William Hogarth Memo.
Before - William Hogarth Memo.
After (Outdoor Scene) - William Hogarth Memo.
A Midnight Modern Conversation - William Hogarth Memo.
Le Libertin à Bedlam - William Hogarth Memo.
Hogarth Painting the Comic Muse - William Hogarth Memo.
The Times, plate 2 - William Hogarth Memo.
The Bruiser Charles Churchill, once the Reverend, in the Character of a Russian Hercules - William Hogarth Memo.
John Wilkes - William Hogarth Memo.
The Lady's Last Stake - William Hogarth Memo.
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