アーティスト： Fra Angelico(フラアンジェリコ)

Adoration of the Magi - Fra Angelico Memo.

¥2,800 ¥3,480

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出荷予定日： 12月19日～12月26日 (10～14営業日以内)

Product Description

artgraph. Original masterpiece memo pad

Three features that make it a popular choice
1. Choose the size that best suits your needs
Available in B6 size, it is compact, easy to carry, and perfect for use as a memo pad.
2. Thick, smooth, high-quality paper
It uses high-quality paper that is stronger and thicker than regular notebooks. If you often write and refer back to it, like in an idea book, the bumps on the previous page won't stand out, making it easy to write on the next page.
3. A perfect gift for art-loving loved ones
The notebook section has no lines, so it's also recommended as a gift for art lovers who want to draw a little or carry a sketchbook with them!
It is printed on both sides so it can be opened either left or right.
*Due to misalignment of the printing area or changes to the trimming position, there may be missing parts in the print of the work.

B6: 120 pages (60 sheets) / Silver ring color

Work name	Adoration of the Magi )
Author name	Fra Angelico
Production date	1424
Related keywords	Fra Angelico, a 15th-century Italian early Renaissance religious painter known for his frescoes, is a symbol of piety and elegance. These notebooks, ring notebooks, memo pads, and ring memo pads are perfect for interior decor, stylish paintings, masterpieces, landscapes, and more. These vintage, retro works are perfect for use in the entryway, living room, dining room, bedroom, kitchen, bathroom, or as a display reproduction for a model room, office, shop, hotel, cafe, or other space. They also make great gifts for birthdays and other special occasions.
Related Keywords
Management number	1-6

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Fra Angelico

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Fra Angelico is a representative painter of the early Italian Renaissance of the 15th century. A Dominican friar (fra), he is known for his pure and luminous religious paintings, born from his devout faith. He combined the elegance of the Gothic style with the new realism of the Renaissance to portray sacred subjects with exquisite tranquility and beauty.

Fra Angelico Biography

circa 1400 : Born Guido di Pietro in Vicchio di Mugello, near Florence.
Around 1418 : There are records of him working as a manuscript engraver.
Around 1420-22 : He entered the Dominican monastery in Fiesole, became a monk and took the name "Fra Giovanni."
1436 : The Convent of San Marco in Florence is given to his Dominican order, and he moves there.
1438-47 : He created a number of moving frescoes, including the Annunciation and scenes from the life of Christ, for the altarpiece of the San Marco Monastery and for the walls of the monks' meditation cells.
1445 : Invited to Rome, he was commissioned by Pope Eugene IV to decorate a chapel in the Vatican (no longer extant).
1452 : Elected abbot of Fiesole.
February 18, 1455 : Died at the Dominican convent in the church of Santa Maria sopra Minerva in Rome.
1982 : Beatified by Pope John Paul II. The nickname "Angelico" (Angelic) comes from his personality and works.

Representative works

The Linaiuoli Altarpiece (1433)
"Annunciation" (Prado Museum) (c. 1425-28)
Frescoes from the Convent of San Marco (c. 1438-47)
- "Annunciation" (on the stairs)
- "Coronation of the Virgin Mary"
- "Noli Me Tangere (Don't Touch Me)"
The Descent from the Cross (c. 1432-34)
Frescoes in the Chapel of Nicholas V in the Vatican (c. 1447-49)

Fra Angelico's art inherited the decorative qualities, heavy use of gold leaf, and graceful depictions of human figures seen in the International Gothic style of the late Middle Ages, while incorporating the new spatial expression and human depiction pioneered by Masaccio and others in the Renaissance. His works are most notably characterized by their bright, clear colors and the soft light that seems to pour down from heaven.

His figures are noble and serene, and filled with deep spirituality. In particular, his frescoes in the monasteries of San Marco are free of extravagant decoration and are painted with tranquil and simple compositions to aid the monks in prayer and meditation. His works directly embody the artist's devout faith, and inspire deep emotion and peace in the viewer. His style, regarded as one of the ideal forms of religious painting in the Renaissance, had a great influence on later painters.