Dead Christ Supported by Madonna and St. John - Giovanni Bellini Poster.
Dead Christ Supported by Madonna and St. John - Giovanni Bellini Poster. - A5(148×210) / none is backordered and will ship as soon as it is back in stock.
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Product Description
Product Description
Artgraph. Original masterpiece art posters & art frames
Printed on high-quality paper manufactured by Epson, the same quality used in art works.
This paper was developed specifically for artwork, and is resistant to deterioration and fading, making it a category of giclee prints that are the highest quality among interior posters.
The texture, similar to that of art paper, gives the print a three-dimensional feel, making it a reproduction that looks just like the real thing.
- Paper weight: 190 g/m²
- Giclee print (inkjet print)
- The width of the margins is adjusted depending on the work and size.
*If you order a size that will result in printing being too rough due to the size of the original data, we will contact you.
*If you require a size larger than the sizes listed, please contact us directly.
| Work name | Dead Christ Supported by Madonna and St. John ) |
| Author name | Giovanni Bellini |
| Production date | 1460 |
| Related keywords | Giovanni Bellini, Italian, Venetian, Renaissance, 15th-16th century, religious painting, altarpiece, art poster, art panel, interior design, stylish painting, masterpiece, landscape painting, miscellaneous goods, vintage, retro, entryway, living room, dining room, bedroom, kitchen, bathroom, entrance, etc. For personal use, or as a display reproduction for model rooms, offices, shops, hotels, cafes, etc. Also popular as a housewarming gift, birthday present, or other celebration. |
| Related Keywords | |
| Management number | 1-9 |
*We have made every effort to ensure that the product images are as close to the actual colors as possible, but the colors may differ from the actual product depending on your monitor settings, room lighting, etc.
Each material may have different nuances, but we hope you enjoy the texture.
Margins and dimensions
Margins and dimensions
The dimensions will shrink accordingly depending on the aspect ratio.
Please contact us for detailed dimensions.
| size | Minimum margin on the short side | Minimum margin on the long side |
|---|---|---|
| A5 | 14.5mm | 25.5mm |
| A4 | 20mm | 35mm |
| A3 | 28.5mm | 49.5mm |
| A2 | 40mm | 70mm |
| A1 | 50mm | 90mm |
| B5 | 17.5mm | 30.5mm |
| B4 | 24.5mm | 43.5mm |
| B3 | 35mm | 61mm |
| B2 | 45mm | 80mm |
| B1 | 64mm | 114mm |
*The above figures are the minimum margin widths.
Depending on the proportions of the work, such as long and narrow works, there may be more margins than those listed above.
If you would like to know the exact size in advance, please contact us here .
About delivery
About delivery
Please allow 3 business days for posters only and 10 business days for framed or canvas products.
Other products will take approximately 10 to 14 business days.
Business days: Monday to Friday Closed: Saturday, Sunday and public holidays
*Delivery may take longer than usual depending on the size, color, and quantity. If you are in a hurry or considering purchasing multiple items, please contact us in advance.
Refunds and Exchanges
Refunds and Exchanges
Refunds and Exchanges
If there is a problem with the product you received, please contact us immediately within 7 days of receiving it.
■ Contact details for returns and exchanges
info@artgraph.jp
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Giovanni Bellini
Giovanni Bellini
Giovanni Bellini was an Italian Renaissance painter active from the 15th century to the early 16th century, and a representative of the Venetian School. Known for his brilliant use of color and light effects, as well as his serene and humanistic religious paintings, he had a decisive influence on the development of Venetian painting.
Giovanni Bellini Biography
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He was born in Venice around 1430 to Jacopo Bellini, the father of a family of painters. His older brother was Gentile Bellini.
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He began his painting career in his father's workshop in the 1450s , and was initially strongly influenced by the hard, sculptural style of his brother-in-law, Andrea Mantegna.
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In 1453, his sister Nicolosia married Andrea Mantegna, making him his brother-in-law.
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In the 1470s , he began to use oil painting in earnest, breaking away from the influence of Mantegna and establishing his own unique style of painting, rich in color and full of light, characteristic of the Venetian school.
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He took over from his brother Gentile the mural decorations for the great hall of the Doge's Palace, which was destroyed by fire in 1479 (this group of works was also later destroyed by fire).
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In 1483 he was appointed official painter to the Republic of Venice.
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In the 1500s, the next generation of talented painters, including Titian and Giorgione, studied in his studio.
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He died in Venice on November 29, 1516 (aged around 86).
Representative works
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"Pieta (Brera Gallery)" (c. 1465-70)
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San Giobbe Altarpiece (c. 1487)
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San Zaccaria Altarpiece (1505)
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"Saint Francis in Ecstasy" (c. 1480)
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Feast of the Gods (1514)
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Portrait of Doge Leonardo Loredan (c. 1501)
Bellini's art underwent significant changes over the course of his long career. In his early years, his work was characterized by strict line drawing and sculptural expression, inherited from Mantegna, but he gradually began to place greater importance on color. He made full use of the oil painting technique he inherited from Antonello da Messina, capturing the subtle effects of light and atmosphere and perfecting the expression of soft, deep colors. This "colorism" (colorism) would later become the greatest characteristic of the Venetian school.
His paintings of the Virgin Mary and Child and saints, while austere, are imbued with human warmth and deep spirituality, attracting the devotion of many. He also excelled in landscape depictions, creating poetic spaces where figures and nature are in harmony under the light. His workshop produced such great masters of the High Renaissance as Giorgione and Titian, who inherited the colorful style he established, laying the foundation for the Golden Age of the Venetian School.
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